Tere OConnors Rivulets begins in complete darkness. The musican original score composed by OConnor himselfpermeates the space, filling the entire building for a moment. The lights rise, and the performers, relaxed over each other, gently awaken, stirred by the music.
Lauren Bakst offers an intimate lens on C O M P R E S S I O N: the recent work of her friend and fellow artist Niall Jones.
On the occasion of Rail contributor and dancer Doug LeCourss departure from New York, he and choreographer Julie Mayo convened for a conversation about their six years of work together through the lens of muse-ness, a reciprocal relationship of inspiration.
Monica Mirabiles all things under dog is a daughters love letter to her father and a treatise of care dedicated to her fellow artists.
Vanessa Anspaughs mourning after mornings offers a sprawl of unruly movement and intergenerational tenderness at New York Live Arts.
LOVETRAIN2020 looked like a lot of fun to dance. Emanuel Gat choreographed the work to songs by 1980s British band Tears For Fears (Roland Orzabal and Curt Smith).